Operation In-Fall-tration -- Women's Fall 2007 Style

By:  Joseph Rosenfeld

 

Chic, contoured, and colorful only begin to convey the essence of this fall’s fashions. The clothes reflect the societal shift from a vast cultural wasteland and its less shapely silhouettes to a more cultivated construct comprised of more shapely waste lines.  Though caution is not being thrown to the wind, a cacophony of colors has been organized much like a rainbow’s colors glistening against an otherwise stormy sky.  As style is becoming less barbaric and more bourgeois, this is the kind of fashion infiltration we have been waiting for.  So grab your gloves and hat and let’s explore the new traditions of proper dressing.

The Jacket/The Suit/The Coat

Why let your fingers do the walking when you can let your shoulders do the talking this season.  Be bold or seem sweet in jackets that speak your style.  Show your sporty side with a preppy look or just be showy with a cut-away cut.  Maintain your proportions with the right length of coat and enhance your authority.

Print and Proper by Marc Jacobs

Printed & Proper at

Marc Jacobs

Speaking of authority, the ultimate power-dressing item has taken new forms for fall.  Nothing suits business better than a suit.  This season, celebrate your curves with attention paid to the waist.  Whether seamed or belted, people will not only see you coming and going, they’ll feel your presence too.  Styles range from the more casual jump suit to the soft and feminine pantsuit to the more alluring metallic suit, great for evening events.
The biggest cover up for fall is, of course, the coat.  Pay homage to Dynasty’s Carrington clan in a big-shouldered coat, circa 1980s.  Or yell “bombs away” in a menswear inspired double-breasted bomber or trench. Sound the sirens with satin fabrics and belted adornments.  Look for coats to be long this season, helping to heighten the drama of the full shoulders or of the more straight and narrow varieties.

The Materials/The Motifs/The Motivations

Dressing this fall is all about expression.  From fabrics to graphics, the appeal of this season’s apparel comes from the expressiveness of the materials and the motifs.  Mills still provide much of the textiles that designers use, but this season some designers, especially Prada, took textile creation into their own hands.  Velvets and embroideries have made many happy returns over the past several seasons so if you’re looking for inspiration your investigation might yield materials like boiled mohair or laminated felt.  If you’re feeling clannish or mannish, there’s a plaid or a tweed fabric for you this season.  Some of these fabrics were also specially made.

Great graphic inspiration has been taken from the iconic Yves St Laurent and his circa 1960s creations.  Art meets fashion in wearable ways.  Look for dramatic geometrics and color blocks in artistic nods to Cubism, Mondrian, Rothko and Pop Art.  Amid all of the color is plenty of black and white graphic interest from classic Art Deco musings to creative and noteworthy newsprint.

 

A Mohair Moment by Muccia Prada

A Mohair Moment at Prada
Printed Shirt Dress Marni Michael Williamson Artful Plaid Jacket Printed Wrap Dress Diane Von Furstenberg

Marbled Prints at Marni;

Mondrian Musings at Matthew Williamson;

Mod Wrapped Up at Diane Von Furstenberg.

photo credits: style.com

As is often the case, fashion moves forward this season by taking a look back. What’s ironic is that although the clothes are serious, the attitude is brighter and happier than compared to other recent seasons.  It’s uplifting to put away the combat boots and to slip into a colorful shoe to punch up a black ensemble.  It’s energizing to emblazon oneself with a highly saturated hue worn atop a neutral backdrop.  To dress well this season is to be grown up looking, with scarves, clutch bags, belts and gloves all color coordinated and matching to each outfit.  This fashion infiltration is about more than clothes.  It’s about the values of a society free to express ideas, dreams and desires for all that we hold dear and all that we see is now elusive – our innocence.

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